A Study Of Shakespeare Essay Research Paper
A Study Of Shakespeare Essay, Research Paper
We can research the nature of power and authorization through many characters in
Shakespeare? s, Antony and Cleopatra. First we look to the Triumvirate as a whole.
Although they do non look as a whole many times in the drama, they create a feeling of
authorization and power merely by the address used to depict them. The three bear the universe
on their shoulders and seem to keep all of the power and prestigiousness of male monarchs and emperors.
The construct of power becomes alittle less defined when Pompey enters the image. The
Triumvirate is threatened by Pompey? s power on the sea. He has more power than they
make as one adult male. This is because he has more ships and a stronger fleet. Time prostrations
this truth when the three work forces go to see Pompey, in all of their glorious authorization, and
organize a armistice. Pompey relents easy because he knows he can non crush this brotherhood of three
work forces, the world powers of the universe. ( Act III. )
The most of import illustration of power and authorization comes when the Triumvirate
is broken up into three persons working independently. Mark Antony and Octavious
Caesar are the two strong legs of the Triumvirate, while Lepidus is the weak adult male who
follows the lead of the most powerful and important of the two. Ocatvius Caesar is
the most important adult male in this drama. I believe this to be because he is the most
intelligent of the three, believing of conquering instead than love. Caesar is ne’er likened to a
God, but instead, is a maestro of address and marks his words and actions carefully so as to
suppress the universe, entirely. Mark Antony, on the other side, shows us love and physical
power. He is likened to a God by everyone who crosses his way. By Cleopatra
particularly, ? demi-Atlas? ( I.v.23. ) ; ? Red planets? ( I.v.18. ) . Antony is revered in this grace,
physical presence and dexterous ability on the conflict field. As a whole, the two signifier a terrific
confederation, but separate 1 has to lift.
Antony has immense authorization battles. He wants to be portion of the Triumvirate, but
his love is so strong it pulls him to Egypt. The brotherhood with Cleopatra does non give him
adequate power, he loses to Caesar, and besides lessens his authorization because of her. He is so
guided by his infatuation with this adult female that his work forces begin to desert to Caesar? s side.
This is besides because Caesar is more competent and knows how to govern the universe, he does
non allow his love for any adult female come between him and his pursuit for power. The power
and authorization battle is one-to-one between Caesar and Antony through most of the
book. We ever see Caesar on top, because he has the conniving head to govern. He has
Antony marry his sister, so so he has complete control over him. By doing him portion
of his household, Caesar can take personal action against Antony if he does anything to harm
his sister. Caesar besides does non do the error of take downing himself to the ranks of his
retainers. Antony is invariably imbibing with his as peers, or thanking them for their aid
. It is a really baronial place, but one forgets who is in charge half of the clip. Caesar
ne’er makes that error, we ever know who is in power when Caesar speaks. I think
the best illustration of this is while the Triumvirate is on Pompey? s ship, Lepidus has passed
out and Antony and Caesar have a few words,
? Gnaeus pompeius magnus: This is non an Alexandrian banquet.
Anthony: It ripens toward it. Strike the vass, Ho!
Here? s to Caesar!
Caesar: I could good hold back? T
It is monstrous labour when I was my encephalon
And it grows Fowler.
Anthony: Be a kid O? th? clip.
Caesar: Airs it, I? ll make reply ;
But I had instead fast from all, four yearss,
Than imbibe so much in one. ?
( II.vii.98-104 )
This shows how otherwise Antony and Caesar think. Caesar ever needs control of his
encephalon and does non wish to bury clip. He ever likes to be in control, one measure above
everyone else. He demands this regard, and everyone knows it, including Antony.
Antony enjoys the playing more than the serious nature of concern. His brotherhood with
Cleopatra is more for love than for power.
The terminal clinches the whole drama. Antony and Cleopatra are both dead and Caesar
wages them respect by burying them together and doing everyone go to their funeral. In
the terminal, the authorization and
power did non affair. Although the two are dead, all that
truly mattered was their love, and Caesar respected this really much. This is another
ground why Caesar is so powerful and important. He does nil incorrect. He is non
slimy in his chase of power. He regulations really openly and everyone knew what his wants
were. It is evident in the last transition that holding this power and authorization bids
him to hold regard as good. Antony and Cleopatra die powerless, by self-destruction, but live
everlastingly infamously, Caesar immortalizes them by paying his regard, as merely a true swayer
? Take up her bed,
And bear her adult female from the memorial.
She shall be buried by her Antony.
No grave upon the Earth shall dunk in it
A brace so celebrated. High events as these
Strike those that make them ; and their narrative is
No less in commiseration, than his glorification which
Brought them to be lamented. Our ground forces shall
In grave show attend this funeral,
And so to Rome. ?
( V.ii.355-364 )
This address in King Lear ( II.iv.263-282 ) . King Lear nowadayss this to his two immorality
girls, Regan and Goneril. This appears when Lear comes to face his girls
as to why they are taking his attenders off, along with his power. This is Lear? s last
call to his girls who seek to sabotage his kingship. He has given them the
land, but can non allow travel. They are demoing him small regard, forcing him off the
throne, instead than being respectful and just to their male parent. The existent job is that they
are taking away his power, but the focal point is why they are taking away his attenders and
declining to allow him remain with either of them. Thud, Lear begins his address with no place,
and two girl that are being really evil to him.
From lines ( 263-269 ) , Lear attempts to acquire his girls to understand that its is non
that he needs his work forces, the whole batch of them, merely as they do non necessitate the apparels they
wear, but it makes them experience whole. He is aghast that he must explicate this to the two
misss, and he can non believe they are being so evil. This linguistic communication, in the beginning, Lear
uses a comparing that he thinks the two will understand. They do non necessitate their apparels,
but their apparels are at that place for beauty. They do non prolong life, they help to break it, merely
as his work forces do for him. It is a really field, easy thing for them to understand, the point is
that they wear? T truly care.
From lines ( 270-282 ) , the point of the address changes* Lear tries to compare to his
girls in a sort manner, but he can keep his lingua no longer. He believes his girls
are seeking to mortify him in his old age and heartache. He knows that they are evil at this
point and that he has made a sedate mistake in giving them the land. He will non shout at
this realisation, but denounces his girls alternatively, and proclaims revenge worse than
all of the Earth. He besides calls them? unnatural beldam! ? ( 277 ) . This is a big subject in the
book. When he calls them unnatural it likens them to bastard kids. This is easier for
him to believe that they are of another male parent, other than him, because they are being so
cruel to him when all they have is from him. This is a big subject in the drama because
there is a power battle between Edmund, Glouscester? s unnatural kid, and Edgar, his
natural kid. In this drama both Lear and Gloucesters? unnatural kids hold all of the
power, while they denounce the natural kids, being Cordelia and Edgar. This address
illuminates everything in the drama. The male parents weep because their kids deceive them.
Lear swears to avenge, but he is non the 1 who is able to acquire his retaliation. In the terminal
he dies as does his natural girl, Cordelia ; Regan and Goneril kill each other. No
good comes out of this drama. A down as Lear is in this address is how tragic the drama
ends up. The adult females cut down Lear to a animal and signifier this point on, he continues to travel
loony. This besides indicates the function reversal that the misss had been waiting for. They
cut down him to a adult female, weeping, and he is reduced in power as good. He becomes the
kid to his kids. This somersault in the drama begins here. Lear now knows his topographic point as he is
dramatis personae out into the storm to shout while his girls and their hubbies take over his