Appearances Can Be Decieving Essay Research Paper

10 October 2017

Appearances Can Be Decieving Essay, Research Paper

Appearances Can Be Deceiving

& # 8220 ; The Monument & # 8221 ; from Elizabeth is a contemplation of the character Gilgamesh in The Epic of Gilgamesh. At first glimpse they both appear to be perfect and immortal. It is non until we take a closer expression do we see their defects and imperfectnesss. The visual aspects are of import in these two plants. The manner the spectator describes the memorial is similar to the manner a spectator would depict Gilgamesh. Both topics are beautiful and alone but they are non perfect. They both have defects that must be examined. The defects do non do the memorial or Gilgamesh any less alone than they truly are. In fact, we will see that these defects are indispensable to their being. In the first subdivision of the verse form, the memorial is described as unusual and unique. & # 8221 ; It is of wood built slightly like a box. No. Built like several boxes in falling sizes one above the other & # 8221 ; ( Bishop ) . Have you of all time seen a memorial made of wood? I do non believe so. However, this component is what makes it so unusual. A memorial is merely alone if it has elements ne’er seen earlier. Gilgamesh, like the memorial, has really distinguishable characteristics. Gilgamesh is the greatest individual you can of all time see. He is the most perfect and handsomest of all. He is the mightiest of all, & # 8220 ; supreme over male monarch, lordly in visual aspect & # 8221 ; ( tablet I, line 28 ) . Gilgamesh is every bit mighty as a wild bull. Nothing can stand in his manner. When he wants something he goes after it. His strength is unstoppable. Gilgamesh is & # 8220 ; two-third of him god, one-third of him is human & # 8221 ; ( tablet I, line 46 ) , which explains his tremendous strengthen.In the 2nd subdivision of the verse form, glumness shadows the memorial. Its visual aspect is deteriorating. & # 8221 ; All the conditions of its being may hold flaked off the paint. & # 8221 ; Or so it seems.The memorial is no longer flawless. Its age and clefts are seeable to the bare oculus. The imperfectnesss on the memorial are a solace to us. The sloughing of its tegument allows us to see what the memorial truly looks like. It is merely appropriate that we see these imperfectnesss on the memorial because nil created by adult male can be so perfect, non even a monument.After the unexpected decease of Enkidu, the first friend and comrade he of all time known, Gilgamesh became cognizant of his ain exposure and mortality. He ne’er knew a lost like this before. Gilgamesh sta

rts oppugning his ain being. “I am traveling to decease! – am I non like Enkidu? ! Deep unhappiness penetrates my nucleus, I fear decease, ” ( tablet IX, lines 2-4 ) . How could the mightiest of all have a dislocation? In the concluding subdivision of the verse form, we see that the natural conditions of the memorial give life to it. “The monument’s an object, yet those ornaments, heedlessly nailed, looking like nil at all, give it off as holding life, .. ” ( Bishop ) . Peoples want to look at something that they can associate to. When we take a close expression we see grounds of its battle against the elements. It appears chapped and unpainted likely as a consequence of strong sunshine, the air current from the sea or the rain crushing down on it. The artist-prince leaves the feeling of himself, of pragmatism, in the memorial. We can non associate to something that is perfect.Because Gilgamesh is two-thirds God, we think that he can non confront misfortunes.It misleads us to believe that he does non hold human feelings ; hence he does non cognize what it is like to experience sadness. We are proven incorrect for this assumption.Gilgamesh said to the tavern-keeper, “Six yearss and seven darks I mourned over him ( Tablet X, line61 ) . Gilgamesh eventually speaks of his interior feelings. He had to endure bad luck in order to derive existent cognition and go existent to us. Up until the clip of Enkidu’s decease, Gilgamesh has ne’er seemed human to us. As viewing audiences we forgot that he is one-third human.We were deceived by his mighty visual aspect.

As we have seen the first visual aspect of an object may be perfect, but as we look closer we see that the imperfectnesss serves to do the object existent. Nothing in this universe is perfect ; therefore flawlessness does non be. The lone existent thing that exists is mistakes and defects. We have seen Gilgamesh who is powerful and all-powerful and we are deceived by his god-like features. We fail to look beyond that and see his humanly features, which is existent cogent evidence of his being. In & # 8220 ; The Monument, & # 8221 ; the memorial is detested because it is unpainted and cracked. However, the fatigue of the memorial gives us the sense of pragmatism. We can associate to it because we know what it is like to be worn out. Its mistakes allow us to appreciate it. We should all follow the expression, & # 8220 ; Don & # 8217 ; t judge a book by its screen, & # 8221 ; because if we do, we will ever be deceived by visual aspects. Thingss may non ever be, as it seems.

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