Formal Analysis of Art

3 March 2017

Formal Analysis of Art Formal Analysis of Art The Starry Night by Vincent Van Gogh is consistent of his typical artwork. He uses the lines free and loose making it an expression of his contour lines. The spacing between the stars and the curving contours making it a dot to dot effect. Van Gogh’s, The Starry Night” portrays his personal emotion. He writes to his brother about his painting almost as if he would be confused himself about the painting. The village is dark but at the same time it is peaceful compared to the dramatic sky life. In Sol Le Witts, Wall Drawing it uses an ordered form and symmetrical form called classical lines.

The line Sol Le Witts uses is considered a connection between two separate points. Although his work is displayed throughout various art museums, the actual work is not his own. Le Witts has the ideas and then gives the workers instructions on what he wants done. This reflects his personality in the way that his art work is controlled. The line form he uses is symmetrical. Sol Le Witt is unlike Van Gogh’s when it comes to his personality. In which Le Witt’s personality is logical and Van Gogh’s is emotional and chaotic. Both artists’ have clearly shown their personality in their art work through their different line forms and expressions.

La Meninas by Diego Velazquez uses perspective through the placement of his images in his form of art work. Foreshortening is a technique used in perspective to create the illusion of an object receding strongly into the distance or background. The painting shows a large room and several figures scattered throughout the painting. The illusion is that the figures are looking at the admirer of the painting and are the results of foreshortening. The illusion or foreshortening in accomplished in the figures in the art work. In La Meninas, the figures look a lot closer than what they are.

They also block out the background of the art work. It captivates you into this illusion that the artist wants you to be mesmerized in a way. This is the effect of nearness or farness also known as three dimensional. All the qualities of this art work create the effect that Diego Velazquez is trying to accomplish through the viewer. Velazquez also portrays himself working at a large canvas in his art work. This is also the effect he wanted to accomplish to the viewer. The effect of illusion is that he is watching you, in return to you watching him in his art work. Nighthawks by Edward Hopper use the elements of light in his art work.

The formal qualities of his art work are the contrast between the tones. The light in the art work amplifies particular items in the diner. For instance, the cherry wood countertops and the tops of the stools in the diner are shown as the contrast of the light. The colors of the objects are also made to shine through the art work. The outer part of the diner is only noticed through the green tile that is lighter around it. The element of light is used to contrast the change in the objects. The diner also partially blends in with the background of the art work. This effect is also accomplished through the lighting used by Edward Hopper.

The color element used in the art work is expressive. The color contrast in the objects are what make the lighted objects stand out in the way that you can see and focus on what the figures are doing. You have a server, a gentleman and a lady at the end of the bar and the figure that is sitting alone is not lighted so you tend to keep focused on your lighted figures. The viewer of the art work loses sight of the background and notices the lighted part of the art work, this is what Edward Hopper wanted to accomplish. Reference Sayre, H. M. (2010). A World of Art (6th ed. ). New York, NY: Prentice Hall.

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