Forrest Gump Film Review English
Brilliantly, ‘Forrest Gump’ is played by Tom Hanks, the only actor who could truly play the role without condescension. Hanks develops a character limited in consciousness but not in feeling, hence facilitating the audience’ identification with him. As the glue holding the episodic film together, Hanks never allows Forrest’s eccentricities to become a comic caricature, a rare talent. Forrest’s charmed and unbelievable life leads him everywhere and anywhere, from the White House, where Presidents Kennedy, Johnson, and Nixon greet him amiably, to an Alabama boarding house, where he’s seen dancing with the yet to be discovered Elvis Presley.
A brilliant pace presented by Zemeicks, the film establishing forest as an accidental emblem of his time: an adorable, humble and timid boy whose slowness is balanced by a true talent for running and a genuinely sweet and charming nature. We follow Forrest from the beginning, his childhood in the 1950s through the 1980s; along the way, he becomes a celebrity in his own right several times over, however no one remembers him from one instance to the next. A classic, and one that stands out from the rest within the new phenomenon of films regarding disabilities that came about in the 90’s.
As Forrest Gump was released in 1994 among other films of the genre such as Rain Man, Freaks, Million dollar baby and I am Sam. Released just a year previous to Forrest Gump were two more box office hits that revolve around a disabled character Benny and Joon and What’s eating Gilbert Grape, both Johnny Deep films who like Hanks is an actor of amazing ability called upon time after time to play the venerable. As media is an important part of everyday life, holding a major influence over society the vitality of disabilities portrayal increases.
Media representation of disabled people has not always been a positive one, adding discrimination of disabled people and creating underpinning use of disabled stereotypes such as that all disabled people possess an extraordinary talent that makes up for their disability (Rain Man), or that death is preferable (Million Dollar Baby). It’s refreshing to see a film that is able to handle such a diverse topic in such a brilliant way and mix humor in the process. ‘Forrest Gump’ is so much so an accomplished feat of the ‘cyber cinema’ that it makes all the films tricks, not to mention subtler of them, look tremendously seamless.
As the director did in his classic films ‘Who Framed Roger Rabbit? ’ and also the brilliant ‘Back to the Future’ films, Robert Zemeckis is definitely bound to leave his viewers marveling ridiculous amounts at the sheer wizardry behind such unbelievable effects. Even the simple opening credit sequence, featuring a single feather that drifts along a perfectly choreographed trajectory until it reaches its precise destination, a true visual embodiment of Forrest’s own simplistic path through life, is a cause for astonishment.
But as well as Robert Zemeckis’s ‘Death Becomes Her’, his audience will not simply ask how, far from it; they will also wonder why, in great depth. This timeless film maker, the one we cannot forget, who made Meryl Streep appear to speak with her head on backwards, forever remains increasingly more successful when it comes to staging the technical side, providing dramatic visuals to which we are thankful for.
Structured almost as Forrest’s own autobiography and centering upon his lifelong and un dying love for an elusive beauty and his childhood sweetheart named Jenny, ‘Forrest Gump’ has all the perfect elements of an emotionally gripping and heartwarming story. Yet it feels less like a storybook romance than like a coffee table book celebrating the magic of today’s special effects. The film is one you’ll watch again and again and you’ll soon realize the true un appreciated genius of the film if you hadn’t already, the way in which that n one level it functions as a hit job on the entire boomer generation. He hilariously instigated every major historical event of the previous 20 years, with a modest and oblivious attitude that is even responsible for producing bumper stickers. He’s like Dr. Evil’s father claiming that he inventing the question mark. “Hey there, did I ever tell you about the time I invented the phrase ‘shit happens’? ” If it is at all possible to simplify and distill an entire generation down into one personification, generally it’s Forrest Gump.
But that’s just a rough surface reading of the character that is Forrest Gump, the one that Boomers are happy with even if they think you’re exaggerating his faults. After all, they are the center of the universe, and being snarky about it just shows that we don’t understand just how incredibly much we the following generations owe to their noble sacrifices. The final scenes are in fact the film’s warning shot, little Generation X sitting there in an adorable matching suit, sad however smart.
He’s unfortunately lost his mother to a self destructive life and then inherited a father who’s not quite all there but can talk for hours about being the center of the universe. Life is a box of chocolates, the little white feather floating on the wind. Forrest is sad for the exact reason that the Boomers as a whole generation are not. He knows that he can’t control what’s going to happen to his little boy, that it’s all just damned dumb luck what’s going to come rolling his way, as with all of us.
You were never in charge of history any more than you were in charge of what was in the center of each chocolate in the box. The winds knock your feather around and around and the best you can do is keeping a smile on your face through it all and do your best. But there’s a hope buried in that nihilism: the same winds that sputter out and leave you in the gutter can also surge and carry you to the heavens. Just don’t think that a lucky wind makes you an eagle.