Gather Togeher In Maya

9 September 2017

& # 8217 ; s Name Essay, Research Paper

& # 8220 ; A babe & # 8217 ; s love for his female parent is likely the sweetest emotion we can savor. & # 8221 ;

( Angelou )

By systematically weaving the subject of maternity into her literature, Maya

Angelou creates both personal narrations and poems that the reader can associate to.

Her geographic expedition of this cosmopolitan subject lends itself to a really big and diverse

audience. Throughout Angelou & # 8217 ; s plants, she allows her followings to witness her

metabolism through different facets of maternity.

Well-worked subjects are ever present in Angelou & # 8217 ; s works- self-

credence, race, work forces, work, separation, gender, and maternity. However,

Angelou uses the latter to supply & # 8220 ; literary integrity & # 8221 ; ( Lupton 7-8 ) .

Maya Angelou was born Marguerite Annie Johnson on April 4, 1928, to

Vivian Baxter and Bailey Johnson. After three old ages her parents divorced, and

both Maya and her older brother Bailey, were sent to Stamps, Arkansas. Once in

Stamps, the kids were cared for by their paternal grandma, Mrs. Annie

Henderson ( Neubauer 21 ) .

In her first book, I Know Why the Caged Bird Sings, Angelou tells the narrative

of her childhood. She besides makes the reader keenly cognizant of her close connexion

with her grandma. Stephen Butterfield says of Caged Bird ( in his Black

Autobiography in America, 1974 ) : & # 8220 ; Continuity is achieved by the contact of

female parent and kid, the sense of life engendering life that happens automatically in malice

of all confusion- possibly besides because of it. & # 8221 ;

Annie Henderson is a Devout, independent adult female whose house manus

leads Maya throughout many unsmooth musca volitanss in her childhood. It is through Mrs.

Henderson & # 8217 ; s values of self-government and personal self-respect that Maya & # 8217 ; s thought that

she is & # 8220 ; shit colour & # 8221 ; easy fades off ( Vermillion 33 ) .

Maya fails to see her grandma & # 8217 ; s negative traits. She sees merely a adult female

that many people, both white and black, regard. The general shop that Annie

owns is the centre of activity in Stamps. This centralisation of the shop has a

direct correlativity to the manner Annie is the moral centre of Maya & # 8217 ; s childhood household

( Lupton 8-9 ) .

After ten old ages of life with Momma Henderson, Maya and Bailey are sent

to fall in their female parent in St. Louis. By the clip the kids are in their teens, they

hold covered the western part of the United States, going between their

parents & # 8217 ; separate places and Momma Henderson & # 8217 ; s in Arkansas. Each move greets

them with a different set of relations or another of their parents & # 8217 ; lovers.

The convulsion that Maya undergoes causes her to oppugn many facets of

herself. As a immature adult female she begins to doubt her sexual penchant and engages

in a erstwhile sexual brush to turn out her gender. After this experience, Maya

discoveries herself pregnant. Angelou ends her first book with the birth of her boy, Guy.

This happening lends itself to a note of rousing that carries through Maya & # 8217 ; s

following book, Gather Together In My Name.

Between the decision of Caged Bird and the beginning of Gather

Together, there is practically no interruption in the narrative. The former terminals with

Guy & # 8217 ; s birth and the latter when he is merely a few months old. In its entirety, Gather

Together tells the narrative of Guy & # 8217 ; s first three old ages and of Maya & # 8217 ; s battle as a immature,

individual female parent who is fighting & # 8220 ; to accomplish regard, love, and a sense of self-

worth. & # 8221 ; ( Neubauer 22-23 ) . One of her chief motivations during these early old ages is to

trim her boy the insecurity and rejection that Maya faced as a immature kid.

However, Maya & # 8217 ;

s professional calling is besides developing during this clip. Angelou

concerns about her duty to care for her immature boy and to supply a stable

environment for him ( Lupton 24-25 ) .

In her 3rd book, Singin & # 8217 ; and Swingin & # 8217 ; and Gettin & # 8217 ; Merry Like Christmas,

Maya discusses her feelings of apprehensiveness and guilt stemming from her go forthing

Guy to foster her calling. Despite her internal struggles, Angelou accepts a function as

Ruby in Porgy and Bess. After taking on this function, Angelou places Guy in the attention

of her female parent. Maya is cognizant of how her actions mirror those of her ain female parent

when she was immature ( Lupton 10 ) .

While executing with the theatre group, Maya travels throughout Europe,

the Middle East, and North Africa. While in Rome, she must cut short her

battle because Guy is enduring from her extended leave. She learns that her

boy has developed a terrible and apparently untreatable roseola in her absence. After

returning to San Francisco, Guy recovers, and together they reach a new degree of

trust and mutuality. Simultaneously the two realize that their separation is

now over for good ( Neubauer 25 ) .

With a promise that recalls the last lines of Gather Together, Angelou

vows to Guy: & # 8220 ; I swear to you, I & # 8217 ; ll ne’er leave you once more. If I go, you & # 8217 ; ll travel with me

or I won & # 8217 ; t travel & # 8221 ; ( Lupton 14 ) . Singin & # 8217 ; and Swingin & # 8217 ; stopping points in a sentence that stresses,

through its three nouns, the underlying subjects of the book: & # 8220 ; Although I was non a

great vocalist, I was his female parent, and he was my fantastic, dependently independent

son. & # 8221 ; This sentence non merely works to shut Angelou & # 8217 ; s first three books, but besides

puts to rest Maya & # 8217 ; s feelings of diffidence and insecurities about maternity

( Lupton 14 ) .

From the clip Maya was an baby, she had experienced many events which

distorted her position on maternity and the function of a & # 8220 ; mother. & # 8221 ; This skewed

perceptual experience created many struggles throughout much of her life. However, by her

changeless growth and evolving, Maya was able to get the better of her altered positions and

go a loving and devoted female parent, girl, and granddaughter.

Gather Together in Maya & # 8217 ; s Name

Outline

I. Introduction

II. Background Information

III. I Know Why the Caged Bird Sings

A. Mrs. Annie Henderson in Stamps

B. Move with Vivian Baxter in San Francisco

C. Maya & # 8217 ; s gestation

IV. Gather Together In My Name

A. Subject of book

B. Maya & # 8217 ; s calling and the consequences

V. Singin & # 8217 ; and Swingin & # 8217 ; and Gettin & # 8217 ; Merry Like Christmas

A. Role in Porgy and Bess

B. Absence from Guy while on circuit

C. Relationship closing

VI. Decision

Angelou, Maya. Gather Together In My Name. New York: Random House,

1972.

Angelou, Maya. I Know Why The Caged Bird Sings. New York: Random House,

1969.

Angelou, Maya. Singin & # 8217 ; and Swingin & # 8217 ; and Gettin & # 8217 ; Merry Like Christmas. New

York: Random House, 1976.

Lupton, Mary Jane. & # 8220 ; Singing the Black Mother: Maya Angelou and

Autobiographical Continuity. & # 8221 ; Contemporary Literary Criticism, Vol 77.

Detroit, MI: Gale Research Inc. , 1993.

Neubauer, Carol E. & # 8220 ; Maya Angelou: Self and A Song of Freedom in the Southern

Tradition. & # 8221 ; Contemporary Literary Criticism, Vol 77. Detroit, MI: Gale

Research Inc. , 1993.

Vermillion, Mary. & # 8220 ; Reembodying the Self: Representations of Rape in `Incidents

in the Life of a Slave Girl & # 8217 ; and `I Know Why the Caged Bird Sings. & # 8221 ;

Contemporary Literary Criticism. Detroit, MI: Gale Research Inc. , 1993.

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