Lord Of The Flies And Othello Comparison

8 August 2017

Essay, Research Paper

Lord Of The Flies And Othello Comparison Essay Example

Lord of the Fliess and Othello Comparison

The antique subject of good versus immorality is presented in both William Golding s Lord of the Flies ( LOTF ) , and William Shakespeare s Othello. The characters are used to demo the conflict between the two. Simon and Desdemona who represent pureness and embody an innate goodness are challenged by many characters that do non possess the same holy qualities- who have really subsided to the immorality that is, in every manner, their opposite. Jack and Iago represent the immorality in the novels. Unfortunately in both pieces we see the loss of life for the pure characters through the clasps of immorality. The immorality does non needfully win, as both characters maintain their standings as unsloped and wholly pure persons, even in their barbarous slayings.

Simon and Desdemona clearly represent all that is good in the universe. The characters are portrayed by the writers to be really understanding and compassionate persons. Desdemona expresses in her linguistic communication and actions, an inexperienced person, unselfish love and concern for others. This is apparent when Desdemona makes supplications on behalf Cassio for Othello s forgiveness, and in her inability to grok a adult female s desire to rip off. Cassio has asked Desdemona to do a supplication to Othello for his return to office. Desdemona, being the compassionate adult female that she is asks Othello the first opportunity she gets,

Good my Godhead, If I have any grace or power to travel you, His present rapprochement return. For if he be non on that truly loves you that errs in ignorance, and non in cunning I have no opinion in an honorable face. I prithee name him back. ( 94-95 )

Although this act of good will makes Desdemona look guilty of an matter with Cassio, it besides shows her love and concern for others. After Othello s accusals Desdemona negotiations to Emilia about criminal conversation. Desdemona asks if there be adult females make mistreat their hubbies in such gross sort? And later says, I do non believe there is any such adult female ( 142 ) she can non grok that a adult female would make such a thing, allow entirely perpetrate the offense herself. Simon besides portions that same compassion and sense of concern for others. This is demonstrated many times throughout the text but is highlighted by his attention for the littluns and Piggy.

They talked, cried out ununderstandably, lugged him towards the trees. Then, amid the boom of bees in the afternoon sunshine, Simon found for them the fruit they could non make, pulled off the choicest from up in the leaf, passed them back down to the endless, outstretched sets. ( 57 )

In this scene Simon appears to be a Jesus for the littluns. He is unselfish in his labor to supply everyone with the nutrient they need to last. Another case of this occurs when Jack and the huntsmans return from the Hunt with meat for all of the male childs, excepting Piggy. Piggy is infuriated with the intervention he is having, but is still refused meat from Jack. At this point Simon wiped his oral cavity and shoved his piece of meat over the stones to Piggy ( 78 ) Through these and other scenes Desdemona and Simon s good nature and concern for others is made obvious.

Iago and Jack are the chief characters in the books that use aninnate immoralities to challe

nge all characters, particularly those that possess an congenital goodness. Honest Iago who is a wholly fallacious character is convinced that Nothing can or shall content my psyche Till I am evened with him married woman for married woman. Or neglecting so, yet I put the Moor at least into green-eyed monster so strong that opinion can non bring around. ( 76 ) Iago’s calumniatory toxicants shortly take their consequence, and the Moor rages over his wife’s imagined unfaithfulnesss. After many prevarications and set-ups Iago has convinced Othello that Desdemona has non been faithful. He advises Othello to Strangle her in her bed, even the bed she hath contaminated ( 126 ) His destructive prevarications have encircled the full drama and terminal in the slaying of Desdemona by the custodies of her loving hubby.

Jack first appears coming out of the & # 8220 ; darkness of the forest. & # 8221 ; This image foreshadows the evil function he plays in the narrative. Jack, who is the leader of huntsmans, persuades many of the male childs to fall in in the Hunt and putting to death of hogs, and subsequently of Simon. After the first hog is murdered Jack gives out the meat proudly to the all the kids, except Piggy. Jack had meant to go forth him in uncertainty, as an averment of power ( 78 ) . Right before St. simons slaying he screams Make our dance! Come on! Dance! ( 167 ) Jack insists that everyone articulation in on the rites. The kids get carried off in the demonic dance and when Simon crawls out of the wood to portion his cognition they kill him. Both Jack and Iago spread their immorality and play a major function in the decease of the inexperienced person.

Although the slaying of both characters is uncalled for and unfair, the writers make it clear that they have non been corrupted by the immorality that took their lives. Golding makes a point to carefully detail Simon s entombment. The following in an exert from his burial-

The H2O rose further and appareled Simon s coarse hair with brightness. The line of his cheek silvered and the bend of his shoulder became graven marble. Somewhere over the darkened curve of the universe the Sun and Moon were wailing. Softly, surrounded by a periphery of speculative bright animals, itself a Ag form beneath the steadfast configurations, Simon s dead organic structure moved out towards the unfastened sea. ( Golding 170 )

It is a really poetic transition from the text and Golding topographic points such accent on it to cement the fact that Simon truly was a virtuous person, and remains this manner in decease.

As Desdemona lies in her deathbed she is given one last breath to talk to her nurse. The nurse demands to cognize who hath done this title? and Desdemona who has stayed soft and loving animal replies Nobody- I myself. Farewell. Commend me to my sort Godhead. O, farewell! Desdemona s true nature is shown in her decease. Her ability to forgive the adult male who stole her life highlights the compassion and understanding this adult female had. Both Golding and Shakespeare make it really clear that the immorality and corruptness that surrounded Desdemona and Simons decease do non consequence them.

The subject of good versus immorality is apparent in both LOFT and Othello. Desdemona and Simon who are the pure characters are challenged in life by the immoral characters represented by Jack and Iago. Although the evil prevails in taking their lives it is non winning in the battle to pervert the pure.

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