Louise Brooks And The Flapper Era Essay
, Research Paper
The flapper epoch was the clip of the worship of young person ( pandorasbox/flapper ) . Flappers were adult females of the Jazz Age. They had measurings of pre-adolescent male childs, with no waistline, no flop, and no butt. Flappers had short hair worn no longer than chin length, called British shilling. Their hair was frequently dyed and waved into level, head-hugging coil and accessorized with broad, soft headbands. It was a new and most original manner for adult females. A batch of makeup was worn by flappers that they even put on in public which was one time unheard of and considered something done merely by actresses and prostitutes. Flappers wore short, consecutive frocks frequently covered with beads and peripheries, and they were normally worn without pantyhose. Young flappers were known to be really rebellious against their parents, and society blamed their waywardness partly on the media, films, and movie stars like Louise Brooks ( Szabo ) . Louise Brooks was a large portion of the Jazz Age and had a batch of influence on the adult females of the 1920? s. Bing a movie star with a great, original personality she is known for being one of the most extraordinary adult females to put forth the Flapper epoch. Her sleek and smooth expressions with her signature British shilling helped specify the flapper expression ( pandorasbox/flapper ) .On November 14, 1906, in Cherryvale, Kansas, Mary Louise Brooks was born. She had two brothers, one sister, and parents, Leonard and Myra Brooks, who was a costume shaper and piano player. In 1910, Brooks performed in her first phase function as Tom Thumb? s bride in a Cherryvale church benefit. Over the following few old ages she danced at work forces? s and adult females? s nines, carnivals, and assorted other assemblages in southeasterly Kansas.At ten old ages old she was already a serious terpsichorean and really much interested in it. In 1920, Brook? s household moved to Wichita, Kansas, and at 13 old ages old she began analyzing dance ( pandorasbox/chron ) . Louise Brooks had a typical instruction and household life. She was really interested in reading and the humanistic disciplines, so in 1922 she traveled to New York City and joined the Denishawn Dance Company. This was the prima modern dance company in America at the clip. In 1923, Brooks toured the United States and Canada with Denishawn by train and played a different town about every dark, but one twelvemonth subsequently she leaves Denishawn and moves back to New York City. Not excessively long after her return, she gets a occupation as a chorus miss in the George White Scandals. Following this she and a good friend of hers sailed to Europe. At 17 old ages old she gained employment at a taking London cabaret. She became celebrated in Europe as the first individual to dance the Charleston in London, and her public presentations were gr
eat successes (pandorasbox/chron). In 1925, Louise Brooks returned to New York and joins Ziegfeld Follier, and performed in the Ziegfeld production, Louie the 14th. That summer she had an affair with Charlie Chaplin. At the same time, Brooks also appeared in her first film, The Streets of Forgotten Men, and signed a five year contract with Paramount. This same year, she had her first appearance on a magazine cover. In 1926, she featured as a flapper in A Social Celebrity which launched her film career and introduced the flapper era (pandorasbox/chron).In 1933 Brooks married wealthy Chicago playboy Deering Davis, but within six months they were separated. In 1956, she met James Card, the legendary film creator at George Eastman House, and moved to Rochester, NY. Here she studied film and continued to write at the House. Throughout her life she finds employment on the radio, as a model, and stared in many more films in which many of them she portrayed the rapidly spreading style of a flapper. She is a miraculous woman who helped to unfold and expand the flapper era throughout the world (pandorasbox/chron). Not only did Louise Brooks have a great impact on the culture revitalization of the 1920?s, but she also left contributions that are still evident today. The year is 2000, and everywhere we look this so-called “new fashion” is becoming popular, but look again. Dresses just above knee length with fringes and frills being worn by teenage girls and women, are the same style as those worn in the 1920?s. The flappers of the 1920?s also started a new phase of rebellion that would be passed on for decades. Before the 1920?s, girls and women were always refined, reserved, “daddies? girls”. This new era brought more unrefined, unpolished, and more rebellious girls. It brought women with attitude and youth, which can be seen in today?s society. Teenage girls today are constantly disobeying their parents and staying out past curfew. They are said to have a mind of their own. And of course, they are wearing things of which their parents disapprove, just as flappers like Louise Brooks wore clothing that would have been deemed whorish and vulgar if it was not for her stardom and acting success. She gave life to a new style would influence women for years to come. WORKS CITED”Flapper Culture and Style: Louise Brooks and the Jazz Age.” The Louise Brooks Society. http://pandorabox.com/flapper.html. 3/22/00.”Louise Brooks Chronology.” The Louise Brooks Society. http:// pandorasbox.com/chron.html. 3/23/00.Szabo, Julia. “Oh, Those Flabbergasting Flappers!” Long Island Our Story. Http://www.lihistory.com/7/hs715c.htm. 3/22/00.