Maestro and Pleasantville

2 February 2017

In Pleasantville, Ross conveys his purpose through distinctively visual images expressed through cinematic techniques such as colour and juxtaposition. Throughout the film, it is clear that Ross uses a distinct use of juxtaposing colour to reveal his thoughts about how one can change through new experiences. This is portrayed in scenes in the film such as Skip’s first sexual encounter and Betty Parker’s first sexual pleasures In Maestro, it is through Paul’s experiences throughout the novel, that the reader can sense his changed perceptions of characters such as Keller.Paul’s perception of Keller changes dramatically throughout the novel, the younger Paul reveals Keller as a “boozer” however the older, mature Paul kisses him, and reveals him as a “Great Man”. Paul’s changed perception of Keller is also conveyed through the recurring use of adjectives when Goldsworthy writes “The red glow of his face – a boozers incandesant glow” as it reveals Paul’s lack of respect for him, and immature, judgmental nature as the first thing he notices about Keller is his alcoholic habits. It is also noteworthy, as Paul is portraying Keller with unflattering adjectives, which also reveals his immaturity at the time.

Throughout the novel Goldsworthy repetitively uses distinctively visual images to portray Keller through Paul’s eyes, which makes the Paul’s change of perception more powerful. It is at the conclusion of the novel, after Paul gains knowledge of Keller’s past, he reveals sensitive, mature feelings towards Keller as he refers to him as a delicate “handful of frail bird-bones”, a“frail papier mache body”. But perhaps the strongest sign of Paul’s changed perception of Keller is revealed as Paul kisses Keller, who is now “weightless, emptied of life and mind and thought” once he had died.This is deemed important as it overrides every single bad comment Paul had ever said, as the reader is now focusing on the present Paul’s sympathetic feeling of Keller, rather than his arrogant, disrespectful perception of Keller in his past. In the novel Maestro, it is clearly evident that Goldsworthy conveys his purpose by creating a memoir styled novel. Through this the reader can experience Paul’s distinctively visual portrayals of Keller, and how his perception changed over the course of his life.In the film Pleasantville, Siblings, Jennifer and David enter the sitcom world of Pleasantville while fighting over a TV remote.

Maestro and Pleasantville Essay Example

Once in Pleasantville, Jennifer had taken the role of Mary-Sue Parker, and David – Bud Parker, introducing new emotions, knowledge, experiences and overall; change to the people of Pleasantville. Gary Ross uses distinctively visual images to reveal his personal perception on change, and how it can be influenced by new experiences. Specifically, Ross uses the experiences of the characters Skip (the basketball jock in love with Mary-Sue) and Betty Parker (the mum of Mary-Sue and Bud) to convey his view.Ross combines characterization with a variety of cinematic techniques to successfully convey this purpose, however the use of colour, juxtaposition and symbolism all contribute greatly into making the film distinctively visual. The first scene where Ross’s purpose is clearly evident arises after Skip’s first sexual experience with Jennifer. In the image, a red rose has salience due to the emphasis of colour and the vectors created by created by the white picket fence and surrounding shadows. It is in this scene where Ross’s purpose is revealed, as the addition of colour to the rose is symbolic of the change Skip had just encountered.

The addition of colour in this scene is significant as Skip, and Pleasantville, were both unable to identity what “colour” was as Pleasantville’s society has never experienced “change”. In this scene, Ross has used distinctively visual images to convey his purpose, the juxtaposition of colour and symbolism create salience towards changes in Pleasantville, and altogether, create Ross’s purpose. The second distinctively visual scene where Ross conveys his purpose is the burning tree scene. This occurs outside the Parker’s house once Jennifer had raised Betty’s sexual consciousness, teaching her to explore her inner esires.. As this was a new experience for Betty Parker it was symbolized by the addition of colour in the world of Pleasantville. In this scene, the tree, burning on the left, is given life to flaming, illuminant oranges and yellows representing Betty Parker “set light” to her new found experience.

As colour was incorporated in this scene it also symbolizes Betty’s change in attitude towards herself, her husband and the world. Overall this scene too, conveys Ross’s purpose as the world of Pleasantville changed, due to the inclusion colour after Betty’s new experience.Composers Peter Goldsworthy and Gary Ross are both successful in using distinctively visual images to convey their purpose. In the novel Maestro, Goldsworthy uses distinctively visual elements conveyed through literally techniques to create his view on how ones perception can change after gaining maturity. However in the film Pleasantville, Ross created distinctively visual images through the use of cinematic techniques such as colour and symbolism to reveal how one can change after being exposed to new experiences.

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