Malevich & Popova
An analysis of the artistic works and influences on the art world of Kazimir Malevich and Liubov Popova.
This paper provides a discussion of the careers of Malevich and Popova. The development of Malevich’s style, through abstract art and Suprematism, is outlined. Popova’s artist development, during which she joined Malevich’s Suprematic movement, is reviewed. The Cubist influences on their work, their architectonic painting and figure sketches are examined.
Until the start of the twentieth century, drawings, paintings, monuments and all other forms of artistic creations were based on the subjects and compositions of real world thoughts and dreams. This representation was always pictorial based reflecting clearly the real world ideas. However, with the emergence of science and technology and increasing use of machineries in the life of a common man, artists began to interpret the new emerging world in a different manner. The earlier decades of the twentieth century can be termed as an era of extraordinary development in the artistic world. Several movements lead the modern art to particular new directions. Movements like Fauvism, Cubism and Futurism guided the artists of twenty first century to explore new avenues and to reassess the role of art. Movements like Suprematism and Constructivism stemmed from the materialism of the machine age. Although, these movements were comparatively short lived, they had a deep impact on the development of art in the coming days.
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