Mozart’s Concerto for Violin & Orchestra No. 3

4 April 2015
Analysis of Movement I – Allegro of Mozart’s Concerto for Violin & Orchestra No. 3 in G Major, K. 216.

This paper analyzes Mozart’s Concerto for Violin & Orchestra No. 3 in G Major, K. 216, Movement I – Allegro. By using time codes to help the reader identify major changes in tempo, soloists and recapitulation, one can listen along to the movement and have a better understanding of Mozart’s genius when writing his concertos.
`Mozart’s Concerto No. 3 is in three movements. It was written in 1775 and the main theme played by the orchestra at the beginning of the first movement (Allegro) was borrowed from his Il re pastore (The Shepherd King) (Lieberman, par. 2). The movement is set in the conventional sonata form with orchestral ritornellos alternating with the exposition, development, and recapitulation of the primary themes by the violin. The soloist gives a second exposition and the coda does not come until after an extended solo cadenza.

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