Of Mice and Men

1 January 2017

Of Mice and Men chooses to add and remove scenes to emphasize particular themes. He uses cinema graphic techniques to replace the objective third person narrator but maintains the dialogue to effectively confront the responder with Steinbeck’s concern relating to the need for companionship and understanding. Sinise uses imagery development in the novel to explore friendship, loneliness, and sacrifice in the context of the 1930’s rural California during the Great Depression.

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Garry Sinise interprets the novel version of Mice and Men through his choice to add and remove scenes. This emphasizes the movie so that the audience will feel emotionally attached to the character and creating a deeper understanding of the plot. A critical scene that has been added to the film is the long shot of candy all alone sweeping the ground in overcast skies after his dog was shot. The overcast sky symbolizes the loneliness of candy and his feelings of loss. This gives a sense of foreboding to the views of his sadness and that maybe something will go wrong.

Also the ending long shot of Lenny and George down at the river, after George kills Lenny. In the novella Steinbeck writes that “the boys” come down to the river to find them however in the film it’s simply George alone. The removal of this scene portrays the shooting being more of a personal matter between George and Lenny. The audience also reflects back to the comment made by candy where he said he should have put his dog down and not left it for someone else to do.

The audition and removal of this scene creates a dramatic feeling in the film and allows us to see the close bond George and Lenny shared. However Sinise’s specific film techniques and camera angles show dramatic emphasis on certain sections of the film. Sinise chooses to use a point of view camera angle in the opening scene of the film to create a feeling for the viewers so the audience sees is what the character sees. Close up shots are used to allow the audience to feel the emotions of the character and the close bond they share.

For example when George and Lenny are at the river during the start of the film and also whenever they where fighting it was a close up shot of both their heads together. This symbolizes their bond when together and their differences when fighting and apart. The audience gets a hint into the loneliness that migrant workers feel and how most men traveled alone. Sinise’s use of film techniques and camera angles creates a deeper understanding of each character and there life led during the great depression of the 1930’s.

Also Sinise uses available imagery of film to create a well thought out foreshadowing and contrast of the characters. When Lenny kills the white puppy, Curley’s wife is wearing a white dress, which is the only time in the film she wears white. This foreshadows that Curley’s wife is represented as a larger puppy to Lenny. This symbolizes they both have the same fate. In the same scene when Lenny kills Curley’s wife a white bird flies out of the barn, this symbolizes they are going to heaven.

Lenny runs away and will soon go to heaven too. Through Sinise’s imagery the audience is preparing for the death of Lenny to come and gain an understanding of what is to come. Therefore Sinise’s interpretation of John Steinbeck’s novel Of Mice and Men Garry to visually confront the responder with both the possiblitities offered by human understanding and the sorrow of its loss. However the films final shots of Lennie and George walking down the road lessens the tradedy of Steinbeck’s ending.

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