Preparing for the role of Salieri in Peter Shaffer’s Amadeus

12 December 2017

The monologue I’ll be performing is taken from Peter Shaffer play Amadeus’, a factionalism account of the lives of composers Wolfgang Amadeus Mozart and Antonio Saltier. I shall be playing Saltier, court composer of the Hapsburg court of Vienna In the 18th century and the early part of the 1 9th, around the time of Mozart rise to fame. He Is bitter and Jealous of Mozart and his popularity, and In the monologue he turns to God and asks what he has done to deserve this.He has worked his entire life to get to where he is and yet along comes young Mozart who mess to be able to put quill to parchment effortlessly and churn out stunning symphonies. I researched the role by looking for as many performances of the play as I could, seeing how previous actors had played the role, and taking Inspiration and crafting my own Interpretation of the role. I experimented a lot with my voice to try and find my own sound for Saltier, and practiced the monologue in different tones and accents.

I played around a lot with giving Saltier an Italian accent, with him being Italian, but I soon decided that the audience would find the piece more relatable if I ticked with a British accent. I bring my voice to a lower pitch than my own for Saltier, and intentionally make it crack In the more emotional parts (“And then suddenly, high above I also lisp and switch from my chest voice to my head voice In the more emotional parts. I utilizes my ability to cry on command In parts, forcing my chest to wobble and my eyes to well up, and some words I spit out as if I’m in pain.I keep my eye-level slightly above the audience for the first part of the monologue, and then when Saltier starts talking about God I take it higher, as if I’m speaking to the sky. I SE pauses in parts to create suspense, and keep very still throughout lot of it, until “And then suddenly’ when I Jump out of my chair, eyes wide, Jaw dropped, and use my hands to follow the “lens of sound around me”. When he talks about how much pain he’s In, I come down to my knees and wrap my arms around my stomach tightly, and slowly warble out my words.I’m planning to wear a period-accurate wig and costume, and I believe this will help me get into character further.

I did a lot of research into the life of the real Antonio Saltier, becoming familiar with his life and work, and I keep this in mind. While getting to know Galleries character, I used all kinds of rehearsal techniques. I tried doing some off-text improvisation to get used to how Sellers carries himself and reacts to certain situations, and Just generally get to know my interpretation of him, and it really helped.Preparing for the role of Saltier in Peter Shaffer Amadeus ay Technicalities Unwritten Concept rhea monologue I’ll be performing is taken from Peter Shaffer play ‘Amadeus’, a Vienna in the 18th century and the early part of the 19th, around the time of Mozart rise to fame. He is bitter and Jealous of Mozart and his popularity, and in the Nortek his entire life to get to where he is and yet along comes young Mozart who could, seeing how previous actors had played the role, and taking inspiration and crafting my own interpretation of the role.I experimented a lot with my voice to try and intentionally make it crack in the more emotional parts (“And then suddenly, high above I also lisp and switch from my chest voice to my head voice in the more emotional parts. I utilizes my ability to cry on command in parts, forcing my chest to Noble and my eyes to well up, and some words I spit out as if I’m in pain.

I keep my Nee Saltier starts talking about God I take it higher, as if I’m speaking to the sky.

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Preparing for the role of Salieri in Peter Shaffer's Amadeus. (2017, Dec 03). Retrieved February 20, 2020, from https://newyorkessays.com/essay-preparing-for-the-role-of-salieri-in-peter-shaffers-amadeus-3273/
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