Sadness and Silence
Well, there are any reasons. Many people want to censor music as a means of enforcing morality. Since the sass’s many religious conservatives have made it their personal duty to “clean” up the lyrics in the music of the past 20 years.
Among these is former Second Lady Tipper Gore, who put the entire music industry on trial in 1992 (Gore, 1987). Musical acts, from rockers such as Frank Kappa and Twisted Sister to country music legend John Denver, took the stand to protest Mrs.. Gore and her organization; the Parents Music Resource Center (AND. Com). There was even a 2002 television movie, Warning: ParentalAdvisory, about these Senate trials. (midi.
Com) Though many would deny it, racial issues fuel a lot of the problems with musical content. It started in the 1955, when a Chicago radio station promised to censor “any controversial music, especially after receiving letters from angry listeners. [ (Sparrow, 2009)] In the ass’s, with R&B music on the rise, many adults were worried that their children would be exposed to immoral concepts while listening. Given the fact that was performed, and listened to, by primarily African-Americans many racial tensions were brought to bear.These tensions continued into the ass’s. In 1983, during a live interview, David Bowie suddenly asked, “Why are there practically no black artists on the network? ” [ (Why It Took MET So Long To Play Black Music Videos ) ] In fact, due to the popularity of his album Thriller, Michael Jackson is credited as one of the first minority musicians to gain major rotation on M TV. When “rap music” came into prominence even the government found a way to discriminate.
The argument can be made that racial motivations also played a large role in the Bi’s 1 989 letter to the rap group N.W. A. [ (Magnum, 1986) ] The FBI took exception to the group’s single H that Police. ” While the group said they were only expressing their anger towards the treatment of inner city black youths by local law enforcement, it served as another example Of censorship rearing its ugly head. Gaps in the values of our different generations have also played a major role in this constant on our ears. ” In the ass’s and 6(Yes this “clash of values” was over the younger generation’s love affair with R&B and Rock N’ Roll, which promoted sex, drugs, and the questioning of authority.
This did not sit well with the older generation, who grew up during the “Roaring’ass’s” and fought back the Nazi threat in WI, and as result put much more emphasis on structured values and respect for authority. For example, in 1 965, the Rolling Stones and the Who were banned from radio stations nationwide because of sexual references in their songs. [ (Sparrow, 2009) ] In 1971, the FCC threatened to take away broadcast licenses from stations playing songs that glorified drugs. In the same year, songs by John Lennox and Jotter Dull were changed without their knowledge or consent.Len noon’s USIA was changed by radio station themselves while Jotter Tulle’s songs were changed by their record label Chrysalis Records. [ (Unsure, 1986) That would be the same as a going into a museum and painting over an artist’ work because you did not like what it portrayed. Do you think Leonardo Dad Vinci would have stood for something like this? Would we have masterpieces such as the “Sistine Chapel” if Michelangelo did not have creative control? As is usually the case when people try to infringe On our freedoms, fear is at the root of music censorship.
Parents fear that their children will be corrupted” by listening to the likes of Oozy Osborne and Amine. The government fears that the public will be incensed to rebellion by the anarchic lyrics of bands like N. W. A. And Rage Against the Machine. Religious leaders fear that their followers will lose faith after listening to anti-semantic artists like Marilyn Manson and Nine Inch Nails. Though many of these fears are unfounded, they have led to many irrational attempts to censor music.
The National Coalition on Television, which monitored the level of violence in music videos, asked for the federal government to regulate rock music on elevation. [ (Magnum, 1986) ] Although these demands were never met, other groups found more SUccess in pressuring the record companies. The parents Music Resource Center (MARC), pushed the music industry and the government to create a rating systems evaluating the content of artists. The MARC also hoped for radio stations to become conscious about airing controversial content which would in turn censor artists hoping to become played on the radio.The MARC was led by Tipper Gore and very influential wives of politicians and businessmen living in Washington, D. C. As a result of testimony before the U.
S. Senate, the Recording Industry Association of Americana) began labeling albums that may be objectionable, including the infamous black-and-white label “Parental Advisory: Explicit Content,” created in 1990 and still in use today. [ (Hall)] Even today, censorship advocates are still attacking the violent lyrics of “gangster rap” and sexually-charged videos of today’s videos. No matter what decade it is, it always seems that the music of that era’s youth is the music under attack.The source of this is humanity inborn aversion to change. During the Revolutionary War, there was a large segment of colonists ho did not want to secede from England. The struggles women and minorities alone have faced just to be treated like “human beings” is proof enough of mankind’s fear of change.
This affects music because music is recognized as a potential source of power to change values, ideas, and beliefs – as well as to influence actions. In the case of children being exposed to inappropriate things from the music they listen to, it is the job of the parent to make sure they know exactly what their children are listening to.