The Canterbury Tales Wife Of Bath Essay
The Canterbury Narratives: Wife Of Bath Essay, Research Paper
The Canterbury Narratives: Wife of Bath
In the Hollywood blockbuster Basic Instinct, Sharon Stone plays a oblique,
manipulative, sex-driven adult female who gets whatever she wants through her gambits for
control. Stone & # 8217 ; s portraiture of this character is unforgettable and makes the
film. In book or movie, the most memorable female characters are those who
interrupt out of the stereotyped? good married woman? cast. When an writer or actress utilizations
this technique efficaciously, the adult female frequently carries the narrative. In Geoffrey
Chaucer & # 8217 ; s Canterbury Tales, he portrays the Wife of Bath, Alison, as a adult female
who bucks the tradition of her times with her flashiness and desire for control
to show a adult female & # 8217 ; s point of position and to arouse some understanding for her.
In the writer & # 8217 ; s clip, much of the literature was devoted to formalizing the
infirmities of adult females. However, in this narrative, the Wife is a adult female who has
outlived four of five hubbies for? of five housbodes scoleying? ( P50 ) is she.
She holds non her lingua, and says precisely what she thinks, even if she
contradicts others, even Jesus. For in the Bible it states that Jesus? Spak in
repreve of the Samaritan: / ? Thou hast yhad five housbondes, & # 8217 ; quod he, / ? And that
ilke adult male that now hath thee/Is nat thyn housbonde & # 8217 ; ? ( P16 ) . Despite this quotation mark
from the sanctum writ, the Wife provinces that ther are no other statements? Eek wel I
woot he [ Jesus ] saide that myn housbonde/Sholde lete fader and moder and take
me, /But of no nombre mencion made he [ Jesus ] & # 8211 ; /Of bigamye or of octagamye? ( P30 ) .
She maintains her place and dismisses the one contention in the Bible by
saying in relation to the above quotation mark? Wat that he mente therby [ she ] can nat
sayn, /But that I axe why the fifthe man/Was noon housbonde to the Samaritan? /How
manye mighte she han in mariage? /Yit herde I nevere tellen in myn age/Upon this
nombre diffinicioun? ( P20 ) . A true history of her flashiness is when she states
that sex variety meats are for pleasance every bit good as map. She states that? In
wifhood wol I use myn instrument/As freely as my Makere hath it sent? ( P155 ) .
She displays her pitiless side when she makes her rip offing hubby, the 4th,
think that she is rip offing and revels in this triumph by stating? in his ain
Greece I made him frye? ( P493 ) . It is obvious that the Wife of Bath is no
submissive adult female who thinks what she is tol
vitamin D to believe. She is opinionated and
blunt, qualities which present her positions consequently.
As she is non docile, the Wife must be something to the contrary, and of class
she is, to a great grade. The Wife strives to derive complete command over her
hubbies. And derive command she does as? [ she ] hadde hem hoolly in myn hand/And
sith that they hadde yiven me al hir land/What sholde I take maintain hem for to
plese/But it were for my net income and myn ese? ( P217 ) . The Wife & # 8217 ; s secret is
simple, ? For half so boldely can ther no man/Swere and prevarication as a adult female can?
( P234 ) . She does something to every hubby to keep her control. However,
Jankyn, her 5th hubby, believes in everything that disparages adult females, which
is precisely what Alison detests. She lashes out with all she has left: ? [ she ]
with [ her ] fist so took him on the cheeke/That in oure fir he fil bakward adown?
( P799 ) . Her delusory strategy is to feign to decease from the blow dealt by Jankyn.
? And with his fist he smoot [ her ] on the heed/That in the floor I lay as I were
deed./And whan he sawgh how stille that I lay, /He was agast, and wolde have fled
his manner, /Til atte laste out of my swough I braide: / ? O hastou slain me, false
stealer? & # 8217 ; I saide, / ? And for my land therefore hastou modred me? /Er I be deed yit wol I
kisse thee & # 8217 ; ? ( P801 ) . Obviously, this if really effectual for Jankyn is so
distraught that he pleads? Myn ain true wif, /Do as thee lust the terme of Al thy
lif ; /Keep thyn honor, and maintain eek myn estat? ( P825 ) . And after he gives her
control, ? we hadde ne’er debat? ( P828 ) . She has won this conflict of marbless, but it
seems as though Jankyn has none. One manner or another, Alison has made her
marionettes dance, wholly under her rule. Her narrative backs up her doctrine,
as the chief point is that? Wommen desire to hold sovereinetee/As wel over hir
housbonde and hir love, /And for to been in maistrye him above? ( T1044 ) . The Narrative
dorsums up the Prologue and pleads for the emancipation of adult females. Alison is her
ain ideal of what a adult female should be. By deriving sovereignty, she has the power.
Chaucer has presented us with a fresh position of adult females, uncharacteristic of his
clip. The Wife of Bath is alone, and her shaping qualities allow what the
writer thinks of adult females to uncover itself clearly. She is an immoral adult female who
has done whatever she has needed to make to acquire what she wants, and the writer
makes no apologies.