The Canterbury Tales Wife Of Bath Essay

7 July 2017

The Canterbury Narratives: Wife Of Bath Essay, Research Paper

The Canterbury Narratives: Wife of Bath

In the Hollywood blockbuster Basic Instinct, Sharon Stone plays a oblique,

manipulative, sex-driven adult female who gets whatever she wants through her gambits for

control. Stone & # 8217 ; s portraiture of this character is unforgettable and makes the

film. In book or movie, the most memorable female characters are those who

interrupt out of the stereotyped? good married woman? cast. When an writer or actress utilizations

this technique efficaciously, the adult female frequently carries the narrative. In Geoffrey

Chaucer & # 8217 ; s Canterbury Tales, he portrays the Wife of Bath, Alison, as a adult female

who bucks the tradition of her times with her flashiness and desire for control

to show a adult female & # 8217 ; s point of position and to arouse some understanding for her.

In the writer & # 8217 ; s clip, much of the literature was devoted to formalizing the

infirmities of adult females.

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However, in this narrative, the Wife is a adult female who has

outlived four of five hubbies for? of five housbodes scoleying? ( P50 ) is she.

She holds non her lingua, and says precisely what she thinks, even if she

contradicts others, even Jesus. For in the Bible it states that Jesus? Spak in

repreve of the Samaritan: / ? Thou hast yhad five housbondes, & # 8217 ; quod he, / ? And that

ilke adult male that now hath thee/Is nat thyn housbonde & # 8217 ; ? ( P16 ) . Despite this quotation mark

from the sanctum writ, the Wife provinces that ther are no other statements? Eek wel I

woot he [ Jesus ] saide that myn housbonde/Sholde lete fader and moder and take

me, /But of no nombre mencion made he [ Jesus ] & # 8211 ; /Of bigamye or of octagamye? ( P30 ) .

She maintains her place and dismisses the one contention in the Bible by

saying in relation to the above quotation mark? Wat that he mente therby [ she ] can nat

sayn, /But that I axe why the fifthe man/Was noon housbonde to the Samaritan? /How

manye mighte she han in mariage? /Yit herde I nevere tellen in myn age/Upon this

nombre diffinicioun? ( P20 ) . A true history of her flashiness is when she states

that sex variety meats are for pleasance every bit good as map. She states that? In

wifhood wol I use myn instrument/As freely as my Makere hath it sent? ( P155 ) .

She displays her pitiless side when she makes her rip offing hubby, the 4th,

think that she is rip offing and revels in this triumph by stating? in his ain

Greece I made him frye? ( P493 ) . It is obvious that the Wife of Bath is no

submissive adult female who thinks what she is tol

vitamin D to believe. She is opinionated and

blunt, qualities which present her positions consequently.

As she is non docile, the Wife must be something to the contrary, and of class

she is, to a great grade. The Wife strives to derive complete command over her

hubbies. And derive command she does as? [ she ] hadde hem hoolly in myn hand/And

sith that they hadde yiven me al hir land/What sholde I take maintain hem for to

plese/But it were for my net income and myn ese? ( P217 ) . The Wife & # 8217 ; s secret is

simple, ? For half so boldely can ther no man/Swere and prevarication as a adult female can?

( P234 ) . She does something to every hubby to keep her control. However,

Jankyn, her 5th hubby, believes in everything that disparages adult females, which

is precisely what Alison detests. She lashes out with all she has left: ? [ she ]

with [ her ] fist so took him on the cheeke/That in oure fir he fil bakward adown?

( P799 ) . Her delusory strategy is to feign to decease from the blow dealt by Jankyn.

? And with his fist he smoot [ her ] on the heed/That in the floor I lay as I were

deed./And whan he sawgh how stille that I lay, /He was agast, and wolde have fled

his manner, /Til atte laste out of my swough I braide: / ? O hastou slain me, false

stealer? & # 8217 ; I saide, / ? And for my land therefore hastou modred me? /Er I be deed yit wol I

kisse thee & # 8217 ; ? ( P801 ) . Obviously, this if really effectual for Jankyn is so

distraught that he pleads? Myn ain true wif, /Do as thee lust the terme of Al thy

lif ; /Keep thyn honor, and maintain eek myn estat? ( P825 ) . And after he gives her

control, ? we hadde ne’er debat? ( P828 ) . She has won this conflict of marbless, but it

seems as though Jankyn has none. One manner or another, Alison has made her

marionettes dance, wholly under her rule. Her narrative backs up her doctrine,

as the chief point is that? Wommen desire to hold sovereinetee/As wel over hir

housbonde and hir love, /And for to been in maistrye him above? ( T1044 ) . The Narrative

dorsums up the Prologue and pleads for the emancipation of adult females. Alison is her

ain ideal of what a adult female should be. By deriving sovereignty, she has the power.

Chaucer has presented us with a fresh position of adult females, uncharacteristic of his

clip. The Wife of Bath is alone, and her shaping qualities allow what the

writer thinks of adult females to uncover itself clearly. She is an immoral adult female who

has done whatever she has needed to make to acquire what she wants, and the writer

makes no apologies.

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