The Garden of the Finzi-Continis
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It also serves to highlight a certain transparency in the young man at the centre of the novel. Vittorio De Sica, in his transformation of the novel into a filmic text, adopts this floating narrative by taking advantage of the many visual techniques offered by the genre of film. The result is a multi-dimensional narrative, or view point, much like that of its literary companion. The transparency of the protagonist is diminished, however. The range of outlooks act simply to integrate a range of perspectives within the filmic text.