The Good Earth Essay Research Paper Each

The Good Earth Essay, Research Paper

Each and every novel is filled with an copiousness of literary devices. Foreshadowing, metaphors, and similes, merely to call a few, help the writer in better showing his or her work. One of the most effectual and powerful literary devices is irony. Sarcasm can be defined as the contrast between what is said and what is really meant. Irony is interlaced all throughout Dostoevsky s Crime and Punishment ( 1866 ) . Through Crime and Punishment, Dostoevsky conveys the message that even a liquidator can be refined through guilt and the absolute love of others. The application of sarcasm efforts to picture the elaborateness of Raskolnikov s mental development.

The first case of sarcasm that presents itself in the novel is situational sarcasm ( when something unanticipated occurs ) . Immediately after Raskolnikov persuades himself that he can non travel through with the manslaughter, he discovers that the old pawnbroker will be unaccompanied the following eventide in her abode. This dry incident alters Raskolnikov s attitude toward the slaying and besides commences his psychological transmutation.

Raskolnikov s biddings to the Police Station exhibits another case of situational sarcasm. Directly after he receives it, he is overcome with terror and guilt. However, when he subsequently discovers that the biddings is for his unpaid and delinquent liabilities, non the slaying, he is overwhelmed with alleviation. This incident reveals that guilt is felt by Raskolnikov s amiable side merely. Once he realizes that he has non yet been caught, he once more justifies the slaying and his deadly side returns.

Subsequently in the narrative, when Raskolnikov is close to squealing the slaying to Porifry, Nikolay adds even more situational sarcasm by having up to the mur

der. Dostoevsky creates this portion in order to prorogue Raskolnikov s confession. This permits him to go reformed through speech production with Dounia and Sonia. By Raskolnikov demoing no guilt for Nikolay s confession, Dostoevsky proves the strength of his amoral half.

Svidrigailov s relationship with Dounia analogues that of Raskolnikov s and Sonia s. The distinguishable difference is that Dounia does non love Svidrigailov, ensuing in his eventual suicide. If it were non for Sonia s love, Raskolnikov would hold ended up the same mode. This demonstrates that love can be the finding component in one s life.

As Raskolnikov is nearing the Police Station with the purpose to squeal, he overhears that Svidrigailov has shot himself. Raskolnikov knows that the merely other single that was cognizant of the slaying is now removed from the image. His dark side exposes itself and drives him to walk off, merely to see Sonia standing in his pathway. The idea of her fondness forces him to turn around a 2nd clip and unburden himself of the slaying. This go oning show s how he is reformed and is now dominated by his sort, warm side.

Crime and Punishment is the narrative of the battle between Raskolnikov s scruples and his mind. Throughout the full narrative, he tries to get away his scruples, as though it is impeding him. Dry events power Raskolnikov to face his struggle and at the terminal take his fate. Dostoevsky uses this literary device to explicate why Raskolnikov has such a serious battle within him. Furthermore, he uses it to uncover his message that anyone can be remedied through the credence of guilt and anguish. Although Raskolnikov commits an indefinable act, he is saved by manner of guilt and the deathless love of Sonia.

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