The Great Gatsby Essay Research Paper English
The Great Gatsby Essay, Research Paper
F. SCOTT FITZGERALD
The Great Gatsby
In today? s society, people use money in many different ways. The Great Gatsby, by F. Scott Fitzgerald, portrays this really efficaciously. In the novel, Tom Buchanan and Jay Gatsby are both really affluent work forces, but they use their money for really different grounds. The storyteller, Nick Carraway, who we must swear, because we take his position throughout the novel, draws out the differences between these two work forces. He besides exposes what each of these characters represent in the novel. Tom is the adversary of the novel. Pleasure motivates him, and he lives his life with luxury and easiness. Gatsby on the other manus, is the supporter in the novel. Even though he may be every bit rich as Tom, he does non populate in elegance for the same ground. All Gatsby truly wants is the love of his life, Daisy Buchanan. Knowing that luck is the lone manner to win Daisy, he spends his money merely to pull Daisy. Basically, Tom is covetous, and he cares for no 1 but himself, and in the narrative he represents the stereotyped grandiloquent rich individual, whereas Gatsby represents the people who are dedicated in life to transport out one undertaking, and will travel through any agencies possible to acquire it.
Tom Buchanan is the primary adversary in The Great Gatsby. He inherits his luck from his household, and lives his whole life without working, populating in elegance and indulgence, doing him a spoilt adult male. All of Tom? s actions are envious and his feelings are all for himself. He boasts in forepart of his invitees about his ownerships, he says? I? ve got a nice topographic point here? , with eyes blinking about restlessly ( Fitzgerald 7 ) , and even glees about his kept woman, doing no effort to maintain his matter secret. ? I want you to run into my miss? Tom insists ( 24 ) . He shows no concern for the effects of his actions, because all his life, he hasn? T had to worry about any effects. Tom shows small fondness throughout the novel and shows marks of apprehensiveness merely when he sees marks of losing both Myrtle and Daisy. After doing Gatsby? s decease, he shows no marks of sorrow or repent for doing his decease, merely self-pity over the loss of his kept woman, Myrtle. Tom is a really violent individual. From the beginning, when Nick pays them a visit, Tom is really forceful with him, and this strength comes of course.
Before I could answer that he was my neighbour [ Gatsby ] dinner was announced ; lodging his tense arm peremptorily under mine, Tom Buchanan compelled me from the room as though he were traveling a checker to another square. ( 12 )
Tom even breaks Myrtle? s nose without any idea, or any regret. This is an act of pure ferociousness, non of regard for his married woman, because if he respected his married woman, he would non be holding an matter. At the terminal of the narrative, Tom and Daisy leave, so they can go forth their jobs behind them. Tom does this because he is a casual individual, who will non be bothered by the jobs he causes. Tom symb
olizes the authoritative, chesty rich category of society.
Gatsby is the supporter of the narrative. He starts immature as a hapless adult male and makes his luck himself. Although it is non clear how he made his luck, it is apparent that he is involved with organized offense.
? This is Slage talking & # 8230 ; ?
? Yes? ? The name was unfamiliar.
? Hell of a note, International Relations and Security Network? t it? Get my wire? ?
? There haven? t been any wires. ?
? Young Parke? s in problem, ? he said quickly. ? They picked him up when he handed the bonds over the counter. They got a handbill from New York giving? em the Numberss merely five proceedingss earlier. What vitamin D? you know about that, heh? You ne’er can state in these bumpkinly towns? ?
The motive for doing this money is to win his past lover, Daisy Buchanan. After he left her to travel to the war, she was romanced by Tom, and finally married him, because Gatsby didn? t have the wealth to maintain her at the clip. His later-acquired wealth was made because of a phantasy he created with his return from the war. That fantasy being to do adequate money and wealths to win back the love of his life, Daisy. His phantasy was symbolized in the narrative with the green visible radiation at the Buchanan place across the bay. Gatsby? s full battles in this narrative are focussed on conveying him and Daisy back together, in a manner, conveying back clip. ? Can? t repetition the yesteryear? ? Gatsby cried unbelievingly. ? Why of class you can! ? ( 111 ) . Gatsby is non a violent individual, despite his connexion with organized offense, and Nick overlooks the moral significance of Gatsby? s bootlegging, and his association with Meyer Wolfsheim, who seemingly rigged the World Series in 1919. When Gatsby is about to run into Daisy for the first clip in old ages, he is more nervous and incapacitated than a immature male child. Because of his motive, and his committedness, he is fond, and by and large a more baronial individual compared to Tom. Gatsby signifies in the novel, the aspiring, the wishful, and the hopeful people of today? s society. He besides conveys an image of an obsessional fiend. The lone existent fondness Nick shows in the novel is towards Gatsby. ? You? re worth the whole darn clump put together? said Nick ( 154 ) . He admires his optimism, and his ability to woolgather and populate as if the dream were to come true. This is the ground he overlooks Gatsby? s condemnable associations.
These two characters, Tom Buchanan and Jay Gatsby, are really similar in that they are both every bit affluent, nevertheless they both have differences that are really important, and the storyteller, Nick, displays these differences really good. Tom lives his life with luxury and easiness, without any loads. Gatsby on the other manus, is the good cat of the novel. All Gatsby truly wants is the love of his life, Daisy. Gatsby will travel through any agencies necessary to acquire this love he so long desires. This is what Nick appreciates about Gatsby & # 8211 ; his optimism and finding.
Fitzgerald, F. Scott, The Great Gatsby 1925
New York: Charles Scribner? s Sons, 1953