The History of the Piano
Many could mistake a number of the stringed instruments. those that predated the piano, for the piano. The spinet, virginal, and clavichord -not to mention the harpsichord- could all be nick named as odd looking pianos’ by those with the ntrained eye, although their internal parts are quite different Instead of having hammers strike the strings, the harpsichord has Jacks long strips of wood- with a plectrum -a wedge shaped piece ot quill or, the more recent material, plastic- that twanged, plucked, the strings.
This design causes the harpsichordist to have little to no control over the volume of the instrument. A pianist may control whether their instrument is played piano -soft- or forte -loud- by pressing the keys either harder or softer The harpsichord is also typically smaller as there are only five sets of octaves, series of eight notes between two notes, whereas the piano has seven. Not only the octaves, but the keys of the harpsichord are slimmer than the that of the piano. Thus said, each note on the harpsichord must be played individually.
On the other hand, the keys of the piano can Just be banged. (“Differences between the plano and the harpsichord”) Born In Padua, Northern Italy 1655, Bartolomeo Cristofori di Francesco was an Italian maker of musical instruments. Scipione Maffei had Interviewed crlstoforl, and, other than his birth and death records, his two wills and he bills to his employers, was some of the only information about his life. His recruitment by Prince Ferdinando de Medici in 1688 had, however, been the most memorable event In his life.
The reasoning behind the prince’s choice was that he was an avid lover and patron of music, and that he needed a new technician to care for the many musical Instruments he had as the former had recently died. Cristofori had at first denied the prince’s otter and Informed him that he did not wish to go. The prince, on the other hand, had replied that he would make him want to go. The rince also had hired Cristoforl to innovate and improve musical instruments, not just to continue to make them.
During the remaining years ot the 17th century, Cristofori invented two keyboard instruments before he began his work on the piano. One of them was the splnettone, Italian for “big spinet”. The spinettone was a large the invention of this instrument could be that it was meant to take up less space in the orchestra pit during theatrical performances, but still maintaining the loudness of a multi-choired instrument. The other invention was the oval spinet, a kind of virginal with the longest strings in the middle of the case.
Cristofori also built instruments of existing types, documented in the same 1700 inventory: a clavicytherium, upright harpsichord, and two more harpsichords. Given the piano’s size and complexity, its tuning and care might seem like a hopeless endeavor. The piano is the least-tuned of all the stringed instruments. Pianists rarely tune their own pianos so they don’t think they have to do it as often as they should. But, the piano does remain in tune for a fair amount of time, which also explains why the piano is the least tuned. For these reasons, many piano-owners put Offa tuning until a bad itch is heard.
But by that point, it can cost twice as much. Regular piano tuning can also prevent damage. Correct and constant string tension is important to the health of many delicate piano parts. Many of which are very expensive to fix. Tuning a piano helps these parts work together smoothly, preventing damage to and from neighboring components. A piano should be tuned two to four times per year. This information is important for all pianists to know. I, myself, am a pianist and enjoy playing it this instrument. It has increased my concentration skills and eye-hand coordination skills.