The Zen Of Oz Essay Research Paper

7 July 2017

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The Zen Of Oz Essay, Research Paper

Glinda, the Good Witch of the North, a Zen maestro? The Tin Man an enlightenment searcher? ? Follow the Yellow Brick Road? a mantra?

Joey Green? s, The Zen of Oz, is a witty, capricious, and surprisingly insightful debut to Eastern Philosophy via one of the universe? s most darling films. It delivers cosmopolitan truths in a charming, non-preachy, manner leting you to research Dorothy? s xanthous brick route, every bit good as your ain.

Along the manner, you will detect original vocal wordss, your favourite duologue, all of the charming characters, and the astonishing scenes from the gesture image, The Wizard of Oz, illustrated in a Nipponese manner.

Green investigates deeper readings, and portraitures of many facets of the narrative of Oz, and attempts to set up a truth. He lays out 10 religious lessons in an effort to convey the narrative of The Wizard of Oz, every bit good as yourself, closer to bring outing the intent to life, every bit good as to set up a relationship between the character? s experiences and your ain. He offers the reader counsel, and uses the characters from the gesture image, non merely to entertain, but to edify. Each subdivision is filled with fantastic thoughts and narratives which seek to animate audiences into happening their ain religious enlightenment.

Does The Wizard of Oz touch a religious chord in all of us? Glinda, the Good Witch, is clearly a Zen maestro who sets Dorothy out on the Yellow Brick Road to self-awareness. When she is joined by the Scarecrow, the Tin Man, and the Cowardly Lion, they must all allow travel of their witting propensity and liberate their heads to accomplish a encephalon, a bosom and bravery, effortlessly. However, Dorothy? s accomplishment is far greater than that of the remainder. She encounters her true Self, her? Oneness with the universe, ? ( pg. 43 ) , attains satori, the Zen experience of? rousing? ? and finally, her place.

? Your felicity is

determined by your karma. ? ( pg.21 ) Right off, Green clears with some religious advice from over the rainbow. He embarks on a mission to research the Law of Karma, ? what goes about comes about? , and how Isaac Newton put it, ? for every action, there is an equal and opposite reaction. ? Simply, every pick you make has a effect, whether or non you make that pick consciously. ? Whenever you face a pick, see the effects of that choice. ? Will the effects nourish felicity? Green believes that the innermost kernel, ? your true ego? , will entirely cognize the reply, and that, that pick will convey you good karma. Like Dorothy, if you go through life doing unconscious picks and running off from your jobs, you will hold to cover with the karmic effects.

Green dives deeper into the narrative line to analyze different characters and their inhumed significances. He explores Glinda, the Good enchantress of the North, and aspires to breakdown her logical thinking. He begins at the point where Dorothy is introduced to this character for the first clip. Immediately Dorothy is asked, ? Are you a good enchantress or a bad enchantress? ? Appalled by her inquiry, Dorothy answers, ? Well I? m non a enchantress at all. Enchantresss are old and ugly. ? As the munchkins giggle, Glinda explains, ? They? re laughing because I am witch. ? ? You are? Oh, I beg your forgiveness! ? Replies Dorothy, ? but I? ve ne’er heard of a beautiful enchantress before. ? ? Merely bad enchantresss are ugly, ? explains Glinda.

So, if merely bad enchantresss are ugly, as Glinda asserts, why so does she inquire Dorothy if she is a good enchantress or a bad enchantress? Does Glinda see Dorothy to be ugly? Or is Glinda speaking about interior beauty and inner ugliness? What determines the inner bea

uty/ugliness that separates a good enchantress from a bad enchantress? Could Glinda be seting that inquiry in Dorothy? s caput to give her something to chew over while going down the Yellow brick route? Are you good or evil? Green distinguishes between good and evil by declaring that good is when you? drop your leading accomplishments to assist others acquire in touch with their true power. ? ( Pg. 109 ) On the other manus, the Wicked Witch of the West, is the perfect representation of immorality. She refuses to give up control, is convinced that she can rule everything and shortly self-destructs. He claims that? good ever prevails over immorality, because evil finally dissolves itself. ? ( Pg. 110 )

Green? s 5th chapter is titled, ? Heartss will Never be Broken until they can be made Practical, ? and it discusses the Tin Man? s jobs in respects to his bosom. The Tin Man is missing a bosom and travels down the xanthous brick route, along side of Dorothy, the straw man and the fearful king of beasts, in hunt of the Wizard who will provide him with 1. When he eventually reaches the Wizard and is given a? cordate ticker and concatenation, ? he is so urged to retrieve that? a bosom is judged non by how much you love, but by how much you are loved by others. ?

What precisely does the advice, from the Wizard, mean? Is he stating that a individual who does good workss, and who is non loved by others, does non truly hold a bosom? What about altruists who donate a immense sum of money to charities, and ne’er have acknowledgment? Do they hold a smaller bosom than the egoist who gives money to charity merely to hold a edifice named after himself? Is public sentiment truly an accurate step by which to judge a individual? s bosom? The citizens of Emerald City love the Wizard of Oz, but does that mean he has a bigger bosom than the Tin Man who is merely loved by Dorothy, the Scarecrow and the Cowardly Lion?

Unwittingly, the Wizard? s advice is really a koan. A koan, in Zen, is a conundrum with no evident significance. ? The koan is: Is a bosom judged by how profoundly you are loved by others? Or is the deepness of your love the true step of a bosom? ? ( Pg. 69 ) Green explains that how profoundly you are loved by others does uncover the deepness of your love for them. Yet he manages to hammer a struggle in his logical thinking. On his way to explicate the koan, he comes face to face with a contradiction in his words. For case, the Witch of the West doesn? Ts have any love for anyone, and doesn? t even mourn the decease of her sister. Alternatively, she raves about her ruby slippers. She becomes haunted with killing Dorothy, non to revenge her sister? s decease, but to extinguish any possible menaces to her programs to take over Oz. Her motivations are selfish, and she has no bosom. She loves no 1, and no 1 loves her in return.

He so goes onto discourse the Wizard of Oz, and illustrates that he is loved by the citizens of Emerald City, every bit long as he protects them from the wicked Witch of the West. But the Wizard? s love for the citizens is non echt ; in fact, he merely protects the metropolis so he can keep his power. His love is conditional and insincere. In this instance, he is loved

profoundly by the citizens yet returns no love in exchange. Green? s account of the koan exposes a contradiction in itself.

The Zen of Oz is genuinely inspiring! It is easy to read and deeply interesting. It is a definite must-read! It includes absorbing narratives accompanied by perfect building, fluxing from chapter to chapter ne’er allowing you take your eyes off it. It encourages you to liberate your head to larn of the thoughtful lessons hidden in the charming movie, The Wizard of Oz. By appealing to this celebrated movie, all audiences

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