Timken Museum Of Art Essay Research Paper

Timken Museum Of Art Essay, Research Paper


The Timken Museum of Art has its roots in the coinciding San Diego Relationship between two sisters, the Misses Anne R. and Amy Putnam, members of the Timken household of the Timken roller bearing hoarded wealth, and a local lawyer, Walter Ames. The flush Putnam sisters arrived in San Diego in the early 1900s from Vermont, accompanied by their aged parents and preceded by a millionaire uncle, Henry Putnam.

The two sisters ne’er were married, exhausted decennaries obtaining Old Masters. Initial pictures were donated to San Diego s Fine Arts Gallery. Later, the sisters acquisitions remained in their ownership and were loaned to esteemed establishments around the state. Following, lawyer Walter Ames appears on the scene in 1950, assisting the Putnam sisters set up the non-profit-making Putnam Foundation, and subsequently procuring the fiscal support of the of the Timken household to construct the TIMKEN ART GALLERY which is now known as the TIMKEN MUSEUM OF ART. In 1965 the Putnam s convenient art aggregation came back place and was hung in its lasting quarters on the Prado in Balboa Park, and the Timken officially opened on October 1 of that twelvemonth.

Today, the Timken aggregation is comprised of 126 plants of art, preponderantly pictures augmented by little retentions in sculpture and embellished art objects. The works consist of three distinguishable aggregations: European Masters, Russian Icons and American Artists. Each aggregation boasts alone and invaluable representations of the specific genre. In the European Masters aggregation, Rembrandt s Saint Bartholomew is the lone picture by that Dutch creative person on show at any museum in San Diego!

First, allow us take a expression at the celebrated picture, Our Lady Of Jerusalem. It is a 17th century panel picture of poster paint and gold on wood. The colourss are of dark sunglassess and really small background. I like how the Virgin s caput is highlighted with a darker shadiness of gold than the background. The gold foliage has been burnished and tooled with punched designs in the aura of the Virgin, the cosmetic pastiglia in the corner, and the flat of the panel along the arch above the Virgin. The concluding beds of pigment have been applied. The blouse of the Virgin shows the scraffito

, grating off of the pigment bed to uncover bright gold below, design and punching. The hems of the Virgin’s robe and the shock absorbers on the floor are acute gilded. Besides I like how in a reticent and graceful gesture, the Virgin inclines her caput toward Christ seated on her arm.

Second, we have the Portrait of a Lady in a Green Dress. An oil on oak panel about 1530, by Bartolomeo Veneto. Bartolomeo was a northern Italian painter, a indigen of Venice, who specialized in portrayals of abundantly dressed figures, peculiarly adult females. The creative person signed many of his plants and in this panel his signature appears on the cartellino attached to the heavy ruby-colored drape. I noticed that the Sitter is have oning a peddling baseball mitt on her right manus, although European hawkers traditionally carried their hawks on the left manus. Possibly the Sitter was left-handed. I particularly like the dark background with minute visible radiation. This draws most of your attending to the light shading of the face and cervix. The elaborate lines of the frock and the shoulders of the frock are singular. Besides there is huge usage of texture and form for the frock.

Third, I enjoyed the picture called, Lovers in a park by Francois Boucher. It is a 16th century oil canvas. Francois Boucher is the most successful painter of his clip. This picture is elegant and cosmetic. I like the blue sky shading in the background. He besides has a small foreground including the enumerated trees. The attending span was the manner he made the ruins notional and nice to look at. The looks on the figures faces were soft and pleasant.

Last, I enjoyed the 18th century oil canvas called the Fall Landscape by Jasper Cropsey. Cropsey s native artistic abilities were rapidly recognized by his employers and he was encouraged to work in water-colors and oils. He completed his class of survey and by 1843 was a practicing designer and creative person. I peculiarly like landscapes that portray nature. This is my favourite. I like the soft glorious and superb colourss of the trees. I enjoy how the sunshine somewhat beams its manner through the clouds and brilliantly radiances on the H2O. He has shown background and foreground in the picture. There is besides usage of lines for the trees and indicating forms for the mountains.

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