An insight into the work of the writer Virgina Woolf and her psychiatric history.
Much of Virginia Woolf’s writing is semi-autobiographical and this paper examines her psychological state of mind in regard to her writing by analyzing her books, in particular To the Lighthouse.
Every secret of a writer’s soul, Virginia Woolf said, every experience of their life every quality of their mind is written largely in their works. This is a deliberate extravagance but, in her case, nothing is so true as her fiction to her most cherished experiences. I wonder, she asked herself, whether I really deal in autobiography yet call it fiction As a writer, Virginia Woolf, took hold of the past, of ghostly voices speaking with increasing clarity. When the voices of the dead those of her mother, father and siblings urged to impossible things they drove her mad, but controlled, they became the material of a fiction novel. Virginia’s persistent memories of her parents helped shape her writing. Many have agreed that Ms. Woolf’s literary work is a result of her childhood memories and of her intense sense of her past ties The experience of losing so many loved ones at a young age, along with the psychological traits lending themselves to madness that Virginia Woolf had inherited from both sides of her family is clearly portrayed in her writing (Ingram, 5). During times of mental clarity, Virginia writes and writes plentifully. However, during the times of breakdowns, and mental despair, Virginia’s writing becomes sparse.
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