Witness Key Scene Analysis
Key Scenes Barn Scene Low light is used in the scene in which John Book fixes his car, emitted by a gas lamp, which is the only source of light. This gives an air of intimacy. It gives the effect to the audience of comfort. The song “Golden Oldie” is played when Book manages to fix the car. The song’s tone is quite joyous and this is effects the audience’s understanding of the tone of the scene. This is also shown through the fact that both Rachel and Book are happy. It is also the first scene when Rachel is shown to be having fun.
The headlights of the car are turned on as Book and Rachel dance. This is done to show the growing relationship of the two, through the dimness getting brighter. This is a symbol. The rhythm of the song is rather slow and the tone is reflective. This is effective in making the scene more intimate and reflecting to the audience. Barn Raising Scene The scene opens with a focus on the Amish coming through with their equipment. This represents cohesiveness. Wondrous music is played within the scene. Middle angle shots are used when barn wall is raised.
A low angle shot at the barn establishes the brilliance of the work. Singing and panning shot also show this brilliance and also adds a wondrous tone to the scene. Scene establishes that Daniel views Book as a rival for Rachel’s affection through facial expressions, judging stares and jokes at Book’s expense. It is also shown that the other Amish people suspect a relationship between Book and Rachel. This is done by showing the others staring at the two with judging facial expressions. Close ups and cut shots emphasise this.
The other women talk to Rachel saying “everyone’s talking about you and Book” in judging tones. Rachel’s Shower Scene Rachel is a member of the Amish community while Book is an outsider. Through placing Rachel inside and Book outside, their roles are represented within the Amish community. It also represents a barrier between them. Each subsequent shot during the scene shows a close up of Rachel and Book’s faces. By sequencing each shot and showing both of them, tension builds, as Book sees Rachel in a state of undress.
The tension within the scene peeks as a medium shot is shown with Rachel’s breasts exposed. Eventually, Book breaks the gaze between the two of them as he realises what it would do to Rachel’s standing within the community if she engaged in a relationship with him. This scene establishes Rachel as the pursuer in the relationship, rather than the pursued, which is traditionally the women’s role in film. Reversing the roles engages the audience as it show them something new, and not regurlarly done within film