Young Goodman Brown Symbolism Essay Research Paper

10 October 2017

Young Goodman Brown Symbolism Essay, Research Paper

Nathaniel Hawthorne is a nineteenth-century American author of the Romantic

Movement. Hawthorne was born is Salem, Massachusetts, and this is the topographic point he

used as the scene for some of his plants: such as? The Scarlett Letter? ,

? the Blithedale Romance? and? Young Goodman Brown? . In authorship,

Hawthorne was known for his usage of fable and symbolism, which made his

narratives a joy for everyone to read. Hawthorne was said to be the first American

author who was witting of the failure of modern adult male to recognize his full

capacity for moral growing. His narratives contain much about the life he knew as a

kid being brought up in a Puritan society. As Hawthorne? s composing continued

it was filled with the same sum of wickedness and immorality as his first Hagiographas. Evil

that was revealed through his plants. ? Young Goodman Brown? was said to be

one of the best narratives of all time written by Hawthorne ( Adams70 ) .

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? The Marble Faun:

and? the Scarlett Letter were some of the other narratives written by Hawthorne,

and they were said to be? Young Goodman Brown? adult older. In this

choice there is a inquiry of adulthood for Goodman Brown and whether he is

good or evil. There is besides a passage from puerility to adolescence to

adulthood. This short narrative in peculiar has a feeling of criminal conversation, treachery,

and misrepresentation as in some of his other plants. It was said by Richard P. Adams

that? immature Goodman Brown? was a source for about all his best work that

followed ( Adams 71 ) . The usage of symbolism in? immature Goodman Brown? shows

that immorality is everyplace, which becomes apparent in the decision of this short

narrative. Hawthorne? s plants are filled with symbolic elements and allegorical

elements. ? Young Goodman Brown? trades largely with conventional allegorical

elements, such as Young Goodman Brown and Faith. In composing his short narratives or

novels he based their word picture of wickedness on the fact that he feels like his male parent

and gramps committed great wickednesss. There are two chief characters in this

short narrative, Faith and Young Goodman Brown. ? Young Goodman Brown is everyman

seventeenth-century New England the rubric as usual giving the hint. He is the

boy of the Old Adam, and late wedded to Faith. We must observe that every word

is important in the gap sentence: ? Young Goodman Brown came away at

sunset into the street of Sale, Village ; but put his caput back, after traversing

the threshold, to interchange a farewell buss with his immature w2ife. ? She begs him

to? set off his journey until dawn, ? but he declares he can non? . [ It ]

should non get away us that she tries to halt him because she is a similar

irresistible impulse to travel on a journey? herself- ? She talks dreams, excessively, ? Young

Goodman Brown reflects as he leaves her. The journey each must take entirely, in

apprehension, at dark, is the journey off form place and the community from witting,

mundane societal life, to the wilderness where the concealed ego satisfies or

forces us to recognize its subconscious frights and motivating in slumber. We take that

journey with him into the atrocious wood. Noting the difference between the town

and the forest. We see Hawthorne utilizing the Puritan association of trees and

animate beings. When Young Goodman associates returns to Salem Village, his eyes are

opened to the true nature of his fellowmen, that is human nature ; he ineluctably

knows that what he suspected of himself is true of all work forces? Hawthorne has made

a dramatic verse form of the Calvinist experience in New England. The foolproof tact

with which the experience is evoked subjectively in the more impressive concrete

footings, is a low-level cogent evidence of mastermind. I should prefer to emphasize the wonderful

I control of local and entire beat, which ne’er hesitations of stackers, and rises

from the quest but impressive gap to its poetic flood tide in the superb and

traveling coda. Hawthorne has imaginatively recreated for the reader that

Calvinist sense of wickedness, that theory did in actuality shape the early societal and

religious history of New England. But in Hawthorne by a fantastic effort of

interlingual rendition, it has no spiritual significance ; it is as a psychological province

that it explored. Young Goodman Brown? s religion in human existences, and losing it

he is doomed to isolation everlastingly ( Peabody 331 ) . ? Young Goodman Brown is the

chief character and the supporter, and Faith Brown, hello

s married woman is said to be one

of the adversaries in this choice. Young Goodman Brown is a hubby of three

months and is still said to be immature. Brown symbolizes immatureness, goodness,

and everyman. He is a really spiritual individual, happy in his matrimony, trustworthy

and na? ve. ? Young Goodman Brown is austere, sad, darkly meditative, distrustful

if non a despairing adult male ( Adams 72 ) . ? Brown is said to be na? ve because he goes

into this evil wood even though his married woman warned him of the danger that he was

about to meet. Brown, really is every adult male, whether immature or old our

parents in some manner attempt to protect us organize danger and that? s merely what his

female parent? s shade was seeking to make, but as we all know our male parents pushes us on

even if we are traveling to do a error and that? s merely what his male parent? s

shade did. This forest represents evil and devastation. There is ever an

association between woods and evil because of its dark and glooming nature. That

is why the enchantress meetings were held in the thick of it. Faith was another

character in the narrative ; she was the married woman of Young Goodman Brown. This immature

adult female is filled with wickedness yet she is said to be Godly. Because Faith was so

honest and Godly, Young Goodman Brown put all of his religion in her, which made

diacetylmorphine of his worst enemies. Faith is said to be a good married woman pure and toxicant,

a saint and evildoer and a pretty pink ribbon-wearing adult female. Hoffman writes that

Faith is the forest. They both are considered to be evil ( Levy 121 ) . Faith? s

thread is a description of her personality or her inner-self. The pink thread

that Faith wears is a symbol of wickedness and purenesss. Faith? s thread is found in

the evil wood and that? s when Faith is truly seen as an ill-defined individual.

Faith is besides said to hold committed criminal conversation non merely against Young Goodman

Brown but besides against God because she gave in to the likes of the Satan. The

threads provide a continuity between religion as an ideal of spiritual fidelity and

as spouse in a enchantresss Sabbath. ( Levy 122 ) . The other character in this narrative

was the Satan or the other adversary of Young Goodman Brown. The devil figure

has a dual map ; he encourages and frightens the following campaigner up for the

evil baptism or damnation. This adult male is seen as an old individual dressed unevenly

and considered to be evil in a sense because he is in the wood. He leads Young

Brown through the forests with a staff. A staff to some may typify Godliness

but this one was carved in the form of a serpent, which is associated with immorality

and furtiveness as in the Garden of Eden. This staff is what Young Goodman Brown

carried in to the enchantress meeting. Even though there were some major characters,

there were some level characters besides: Dainty Cloyse, the curate, and the

deacon. Goody Cloyse was supposed to be the holy lady that taught everyone the

catechism but she was merely every bit evil as the wood because she was besides a enchantress.

The curate and the deacon were besides corrupted and evil. They all were

considered to be holy and people of God, but they were merely the antonym.

? Young Goodman Brown? was a short narrative that dealt with the pragmatisms of

world. There was a inquiry asked by the writer at the terminal of the narrative: was

this narrative a dream or was it world? Young Goodman Brown at the beginning of

this narrative was a immature, good, loyal, trusty, and holy adult male. He lacked

strength, bravery, soundness, earnestness, and finding as Puritan should,

but at a point in this narrative he became an grownup and matured. The narrative ended

with Goodman Brown going a austere, sad in darkness meditative, distrustful, if non

despairing adult male. Hawthorne used all the character in this narrative to turn out that good

people besides contain evil facets. This narrative has proven to be a success.

Adams, Richard P. Hawthorne? s Provincial Tales. Oklahoma, 1972.

Parenthetic note: ( Adams 70-77 ) Daugherty, Sara B. The Literary Criticism of

Henry James. Ed. Sara Daugherty. Buckeye state: 1981. ( Daugherty 39, 96-97 ) Gale, Robert.

Nathaniel Hawthorne Encyclopedian. New York: London, ( 541-542 ) Levy, Leo B.

? Journal of English and Germanic Philogoly. ? The Problems of Faith in

? Young Goodman Brown: no. 3 ( 1975 ) The Board of Trustees of the University of

Illinois. ( Levy 115-127 ) Mandell, Stephen. Ed. Literature. : Young Goodman Brown:

By Nathaniel Hawthorne. New New York: 1991. ( 298-308 )

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